There are projects that quietly stay with you. Not because they were the biggest, the best paid, or the most visible, but because they captured something real at exactly the right moment.

In the early 2000s, my dear friend Leonel Deambrosi founded Sociedad Anónima, a rock band born in Santo Domingo with a raw, honest identity and no interest in shortcuts. Around that time, I had the privilege of creating the band's visual universe, portraits, artwork, and the image that would accompany their first steps.

Those photographs, the CD design, the press images, they were not just promotional material. They were fragments of a shared moment, when everything felt possible and nobody was thinking about anniversaries yet.

An article published by Diario Libre in October 2006 announced their debut with a simple headline, "Banda de rock al fin hará debut." No hype, no grand narrative, just a band ready to exist on its own terms. Sometimes that is more powerful than any marketing campaign.

Fast forward twenty years.

On January 22, Leonel reunited with Tony Almont, Guillermo Pérez, and Karel Kalaf for a XX anniversary concert at The Irish Pub Santo Domingo. Same city, same spirit, different lives lived in between.

What struck me most was not nostalgia, but continuity. The faces have matured, the context has changed, but the core remains intact. The same intensity in their eyes, the same refusal to become something they were not meant to be.

Looking back at those old images today, I do not see "archive work." I see a reminder of why visual identity matters. Photography freezes time, but it also builds bridges, allowing moments like this reunion to resonate more deeply because there is a visual memory attached to them.

Some bands dissolve. Some friendships drift apart. Some images sleep in drawers.

And sometimes, against all odds, they meet again, twenty years later, and everything still makes sense.

This was one of those moments.